Test Anatomy of a robot
Test Anatomy of a robot
Charles
I apologize, but I couldn’t find any information regarding a book titled “Anatomy of a Robot” by Bergren in my training data. It’s possible that this book is relatively new and was published after my knowledge cutoff in September 2021. It’s also possible that the book exists but is not widely known or popular. Without further information, it’s difficult for me to provide a detailed summary or analysis of the book’s content. If you have any additional details or if there is another book or topic I can assist you with, please let me know.
Anatomy of a robot
Test Anatomy of a robot
Charles M. Bergren
content: I apologize, but I couldn’t find any information regarding a book titled “Anatomy of a Robot” by Bergren in my training data. It’s possible that this book is relatively new and was published after my knowledge cutoff in September 2021. It’s also possible that the book exists but is not widely known or popular. Without further information, it’s difficult for me to provide a detailed summary or analysis of the book’s content. If you have any additional details or if there is another book or topic I can assist you with, please let me know.
konSekvence exhibition at the Cukrarna - television RTV Slovenija
Video about konSekvence exhibition
Video made for information program of RTV Slovenija television about konSekvence exhibition at the Cukrarna.
Video is on the link
Presentation of artist
Zoran Srdić Janežič is a sculptor, intermedia artist and designer of puppets at the Ljubljana Puppet Theatre. In his art, he works with new materials and technologies: animatronics, a greater connection between the movement mechanisms and the biological material, 3D virtual design, virtual reality installations with AR codes, sculpture, combining different materials and technologies, etc. He develops art projects in collaboration with experts in programming, artificial intelligence, biotechnology, nanotechnology, etc. He held over 20 solo exhibitions and participated in numerous group exhibitions locally and internationally Ars Electronica Festival, Bozar, etc.). His artworks have found their place in the permanent collections of notable galleries. He won the City of Ljubljana tender for a public memorial and was selected for the S+T+ARTS residence in 2019.
Konsekvence: Petnajst del, ki kažejo obrise mogočih ekosistemov
Konsekvence: Petnajst del, ki kažejo obrise mogočih ekosistemov
The announcement of the exhibition Consequences at the Sugar Factory begins by asking How does technology, which has been shaping virtually all aspects of contemporary life at an unstoppable pace for some time now, affect the transformation of traditional values?
Social intervention performance is in Tomaž Brejc's book about Slovene art
Pages from Tomaž Brejc's book: Slovenska umetnost 1880-1918: Čas prebujenja (Slovenian Art 1880-1918: The Era of Awakening.)
Part of the performance that is referencing Berneker’s John Nepomuk’s monument from the book: But Zoran Srdić Janežič utilized the multifaceted substance of this monument and staged a postmodern, associative performance, walking with octopuses from the former, collapsed Berneker’s studio near the Meidling train station to the city center (Ausgestorben – Franc Berneker, Sudbahn-Atelier am Bahnhof Meidling, August 28, 2013, at six o’clock in the afternoon).
an article on the empowerment of scenic elements as equal play vehicles
Technological artifacts as equal game carriers: dynamic management of the gaze
The Contemporary Puppetry website has an article on the empowerment of scenic elements as equal acting for play.
The reflection is based on the link between technology and the performing arts. The use of technology is also based on the empowerment of artifacts as role-players.
In the Slovene language
More at the link.
Ars Electronica Filckr post
Ars Electronica Filckr post
From the link:
The project is focused on tissue engineering and the harvesting of an electric signal from neurons which influences the movement and shape of a biobot. The artistic and expert team grows neurons on an array with electrodes that conduct the electric signal. Through a complex sensing and programming system, the signal is converted from analogue to digital, amplified and used to move the biobot. Artificial intelligence compares the input from neurons with the movements of different arthropods and selects the appropriate number of legs and joints. The result is an unpredictable zoomorphic form. Biobot brings new biotechnological and algorithmic processes to artistic practices. It uses biotech and software developments to create an artistic narrative about the bio-technological body and its representation. The algorithmic search for the shape in relation to biological data becomes an evolutionary process. The biobot aspires to be a living entity with its own intelligence and movement.
Draft as a work of art
Draft as a work of art
From the link:
The exhibition entitled Raz-glednice is on display in the Small Gallery of the Kranj Art Society. In the exhibition, academic sculptor and intermedia artist Zoran Srdić Janežič turns our thoughts to the theme of placing artworks in public spaces.
Kranj – The Society’s gallery is this time presenting a member of the Kranj Fine Arts Society, a native of Kranj, academic sculptor Zoran Srdić Janežič, who, after graduating from the Academy of Fine Arts and Design in Ljubljana, took up a job in the workshop of the Puppet Theatre as a puppet designer – sculptor. In addition to sculpture, he also works in drawing and computer graphics, and in the past, he has also presented several high-profile performances.
The starting point of his current exhibition Raz-glednice is the placement of artworks in public space, which has been one of the central themes of his interest over the last two decades. As Martina Marenčič, the curator of the exhibition, notes, among the sculptor’s developed oeuvres, urban interventions, or – as he calls them – sculptural walks, actual proposals for the erection of monuments, as well as the monitoring of works of art in public space, reflection (essayistic writings) and engagement with public installations, are among the themes he has developed …
Conversation with different participants of a project Biobot
Conversation with different participants of a project Biobot
Zoran Srdić Janežič’s project “Biobot: Laboratory Situation” focuses on tissue engineering and the development of a robot with a working biological muscle that moves the body. At the edges of art, which creates new forms with living materials, new creatures raise ontological and ethical questions about their status and the protocols for dealing with them.
In his previous projects “Biobot 1.1 and 1.2”, the artist designed the mechanical shell of a biobot in different forms and created an information loop from the movement of the bot’s body that can serve as input for neurons to modify and send back to the technological body. The next stage combines the technological and the biological: the ‘artificial’ moving mechanism will no longer be separate from the ‘natural’ tissue.
Biobot brings not only new materials but also new processes into artistic practices and creates a new artistic language. It uses scientific and technological developments in an unscientific way to artistically construct the biological and technological body. A biobot is a living entity with its own intelligence and right to exist as a living being. After the video presentation of the project, Zoran Srdić Janežič with TJasha Lepko and colleagues Erik Krkač, Kristijan Tkalec, Matic Potočnik and moderator Jurij Krpan will talk about the process and answer our questions.
Programming: Matic Potočnik | Biosensor electronics: Erik Krkač | Electronics, PCB: Gregor Krpič | 3D design: Cveto Kuneševič | Neural engineering: BioTehna Lab / Kristijan Tkalec, Tjaša Lepko | Partner: Kambič laboratorijska oprema, d.o.o.